Learning
about the writing process has really shifted how I see student writing. I’ve
come to understand that writing isn’t a one-time event but a journey that
unfolds over time, shaped by the nature of the task, the writer’s thinking
skills, and even social factors. Every draft a child produces is a window into
how they are making meaning, not just a list of mistakes. As Donald Graves once
said, “Children want to write. They want to write the first day they attend
school. The problem is not that they don’t want to write but that we often stop
them.” This reminds me that my role is to encourage, not stifle, those early
attempts.
When
I look at Jonathan’s first draft, I see a child who is eager to express himself
and share personal experiences. His writing shows rich ideas—he describes Kayla
crying when he leaves, or leaping over the gate just to be close to the family.
These details reveal creativity, imagination, and a desire to connect
emotionally with his reader. At the same time, his spelling errors (like
lowniwhaile for lonely while and flore for floor) and long, unpunctuated
sentences show that he is still working on mechanics.
From
my perspective, Jonathan is in the transitional stage of writing development.
He has moved past short, simple sentences and is experimenting with longer pieces
filled with detail and meaning. Yet, he still needs support with conventions
like spelling, punctuation, and sentence structure before he reaches fluency.
This one draft pulls together everything I’ve been learning about education
theory. It’s a living example of Vygotsky's social learning; the writing is
shaped by his relationship with Kayla. It shows the cognitive process of
writing, pulling together memory, observation, and emotion into something
meaningful.
Reflecting
on this, I realize that when we assess writing, we shouldn’t only point out
errors but also celebrate what the child is doing well; the creativity, voice,
and effort they bring to the page. Jonathan’s draft shows that he has important
stories to tell, and with encouragement, he will continue to grow in both
confidence and skill as a writer. As a teacher, it is my role to nurture both
the expressive and mechanical sides of writing, so students can grow into
confident, skilled writers. therefore, my job as a teacher isn't to first correct
"lowniwhale." It's to say, "I love the image of you and Kayla in
the living room. Tell me more about that." The mechanics can be gently
guided later. First, we must honor the thinker and the storyteller. By
providing a safe space for this kind of authentic, staged writing, I can help
students like Jonathan see that their voice matters, and that writing is the
key to sharing it with the world.


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